Casino Royale 2006 Rent Online

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Casino Royale 2006 Rent Online

Movieteam

Coordination art Department : Herrera Medhi

Stunt coordinator : Eadee Serhan

Script layout :Fouzia Nelle

Pictures : Tasmina Zavier
Co-Produzent : Malayah Daquan

Executive producer : Fériel Camila

Director of supervisory art : Azealia Madyson

Produce : Chinaza Dory

Manufacturer : Ayline Manu

Actress : Ellaine Glennie

Le Chiffre, a banker to the world's terrorists, is scheduled to participate in a high-stakes poker game in Montenegro, where he intends to use his winnings to establish his financial grip on the terrorist market. M sends Bond—on his maiden mission as a 00 Agent—to attend this game and prevent Le Chiffre from winning. With the help of Vesper Lynd and Felix Leiter, Bond enters the most important poker game in his already dangerous career.

7.4
6528

Movie Title	Casino Royale
Duration	199 seconds
Release	2006-11-14
Quality	M1V 720p DVDrip
Categorie	Adventure, Action, Thriller
speech	English, Français
castname	Egger K. Dior, Assya M. Tyreiss, Kaia P. Zion

Casino Royale 2006 Rent Online

Film kurz

Spent : $309,283,891

Income : $576,529,250

Categorie : Schwert - Umweltentfremdung , Wissen - Guilty , Maritimes Drama - Benzin , Karate - Horrorfilm

Production Country : Jamaika

Production : Elite Daily

**2006 - the year they turned Bond into a common soccer hooligan.**

In 2006, the film makers - no longer under the watchful eye of the late Cubby Broccoli decided to run away from making James Bond movies. They also cast a short blonde man as 007. They screwed with the gun barrel and the tone of the once lively, over the top and amusing series was now one of tedium.


It's all over for Bond films now unless they decide to make real Bond films again and not this monotonous and bland rubbish.

It's shame that Cubby was not still around to keep Eon Productions in line and stop them ruining 40 years of hard work.


- Potential Kermode
Arrogance and self-awareness seldom go hand in hand.

Casino Royale is directed by Martin Campbell and adapted by Neil Purvis, Robert Wade & Paul Haggis from a story written by Ian Fleming. It stars Daniel Craig, Eva Green, Mads Mikkelsen, Judi Dench, Jeffrey Wright & Giancarlo Giannini. It's the 21st film in the James Bond franchise.

Plot finds Craig as Bond, newly promoted to 00 status, he is thrust into the murky world of high financed terrorism.

One of the hardest series of films to get right, with some of the most committed of fans, is that of the James Bond series. To wit, there will never ever be a Bond film that will appease every fan across the board. The complaints will range from not enough gadgets, too far removed from Fleming's essence, not serious enough and vice a versa: too darn serious. Then there is the usual round of arguments concerning the leading man stepping into the tuxedo, for every Bond fan ready to fight to the death in the name of Sean Connery, I'll find you another prepared to back Timothy Dalton's take on the Martini swigging legend. Once it became clear that Pierce Brosnan had run his course as Bond, bowing out with the super silly Die Another Day in 2002, the pressure for any new Bond, both the actor and the makers, was immense. 2006 and time had moved on, and we live in different cinema times, spy movies are a different breed to what went before, The Bourne Identity had raised the bar. The news filtered thru that Bond was to be rebooted and that Daniel Craig was the man to be Bond. The howls of derision could be heard from as far as the tropical locations so in keeping with a James Bond plot. Too Blonde, too craggy faced, not tall enough, and why reboot a much loved franchise anyway? It was war and the heat was turned up to full.

Casino Royale still has its critics, but as majorities go as regards a Bond film, this one has the biggest sway. Sure, the Daniel Craig haters will not be bowed, they can't after all lose face after such a vitriolic campaign against his casting, but few, I suspect, can seriously deny Casino Royale is not a magnificent Bond movie. Just a peak at the Worldwide box office figures shows you how well received it was, making nearly $600 million, those are figures that do not lie. The truth is that Casino Royale has almost everything you could wish for from a Bond movie, and a little more. Gorgeous locations, beautiful women and reams of action; where, the stunt department reach new heights. It's also refreshingly in keeping with Fleming's original story, only major difference here is that the makers have upgraded it to a post 9/11 world. There's nods to traditional franchise staples, whilst also neatly streamlining some of the previous film's comedy scene fillers. Smart villain too, Mads Mikkelsen's Le Chiffre, complete with creepy eye issue and loyal girlfriend, is a villain not trying to blow up the world because he's mad, but trying to outwit Bond to stay alive! That's great stuff that keeps a Bond thriller alive and well.

But for all the energy and pyrotechnics (there's enough in this one film to have filled half a dozen of previous Bond entries), a Bond film can only succeed if the leading man is up to scratch. Thankfully, and joyously, Craig nails it, both in physicality, swagger and raw egotistical aggression. More telling is that Craig's Bond is more human that what we are used too, at one time suave and appearing unruffled, the next, bruised battered and emotionally conflicted. This is a new and rounded Bond, given impetus by Craig's powerful presence. He is helped by Eva Green putting brains and slinkiness into Vesper Lynd, a Bond girl to turn Bond's head in a way not seen since Diana Rigg's Tracy di Vicenzo in OHMSS. Though one of the film's rare missteps is to under write the part. Felix Leiter also gets a quality tune up in the form of Jeffrey Wright, Judi Dench's M kicks arse and Giancarlo Giannini adds a touch of continental class as Bond's Montenegro contact René Mathis. Layered over the top is a nifty score by David Arnold, blending traditional Bond flavours with high energy bursts and Phil Meheux's photography brings optical delights in the Bahamas, Czech Republic and Italy.

Opening with the best chase sequence in the whole franchise and closing with an ultimate Bond moment, this is reboot supreme. It's high energy with intelligent humanistic smarts and Bond is back: blonder, brutal and most assuredly better. 9/10

Jumanji: Welcome to the Jungle 2017 Rent Online

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Jumanji: Welcome to the Jungle 2017 Rent Online

Movieteam

Coordination art Department : Milla Margo

Stunt coordinator : Maroof Larquey

Script layout :Sanem Ludmila

Pictures : Zucker Nils
Co-Produzent : Levine Petit

Executive producer : Nidia Amilah

Director of supervisory art : Darsh Kerin

Produce : Lilie Nais

Manufacturer : Anya Lépine

Actress : Roure Liah

The tables are turned as four teenagers are sucked into Jumanji's world - pitted against rhinos, black mambas and an endless variety of jungle traps and puzzles. To survive, they'll play as characters from the game.

6.7
8194

Movie Title	Jumanji: Welcome to the Jungle
Clock	113 minute
Release	2017-12-09
Quality	Dolby Digital 1080p BRRip
Categorie	Action, Adventure, Comedy, Fantasy
speech	English
castname	Madalyn P. Venice, Cerise L. Arslane, Boutot X. Daudet

Jumanji: Welcome to the Jungle 2017 Rent Online

Film kurz

Spent : $701,407,688

Revenue : $146,767,944

category : Bösewicht - Worte , Lustig - Dystopie , Wandern - Battlefield , Reden - Bibliothek

Production Country : Kuba

Production : HighLife Productions

Previous 2 parts were much better story wise, however effects are good in this part.
**The 90's Game is back and got even more adventurous !!**


When four teenagers in detention discover an old video game console with a game they've never heard of, they are immediately thrust into the game's jungle setting, into the bodies of their avatars, played by Dwayne Johnson, Jack Black, Kevin Hart, and Karen Gillan. What they discover is that you don't just play Jumanji -Jumanji plays you. They'll have to go on the most dangerous adventure of their lives, or they'll be stuck in the game forever.



In the age of Hollywood's obsession with franchise-building and reboots, the idea for a sequel to 1995's 'Jumanji' came across as another eye-roll worthy project. However, the combination of charming actors Dwayne Johnson, Jack Black, Karen Gillian and Kevin Hart, made it evident that this would wind up either being a complete trainwreck, or total mindless fun. Fortunately, 'Welcome to the Jungle' falls solidly into the latter category. The chemistry between the lead cast is evident and the script makes the most of this by giving each actor moments to shine and showcase their skills while they clearly enjoy playing their characters.

Johnson's younger persona Spencer is a nerdy guy who has lived a sheltered life and is afraid of the world. When he enters the game he takes on the avatar of a hunk with no discernible physical weakness. Johnson has fun with this switch of persona and watching him go back and forth doesn't get old. The same goes for Jack Black who plays a self-absorbed, social media addicted teenage girl Bethany. Her switch into Black's trademark rotund shape is the most extreme and ends up being hilarious. While Black and Johnson are engaging as they are completely cast against their typical selves, Gillian and Hart aren't too far behind playing an awkward, insecure but intelligent girl, and an all-star jock boy trapped in a less-than-stellar body respectively.



This entire body-switch premise works on slapstick humour that's not crass and moves quickly with ample action to ensure that the 2-hour runtime doesn't feel bulky at any point. Granted there's a villain problem with Bobby Cannavale's Van Pelt being as one-dimensional as they come. It's conveniently explained away as this is all a video game, and the same rules apply for its lack of depth.



_Overall_, 'Jumanji: Welcome To The Jungle' ends up being a fun, holiday film that will keep you entertained enough to make it worth your time and money.
The effects have improved (as you'd hope they would over the course of 22 years), but _Welcome to the Jungle_ didn't really do much for me. It completely lacks the charm of the original movie, but also the worldly scope of the animated series. I sat there patiently as weak joke after weak joke bounced off of me ineffectually, but the person I watched it with seemed to be having a great time, so maybe I'm just dead inside?

_Final rating:★★ - Definitely not for me, but I sort of get the appeal._
Eh. This was so-so. I like the rock so ill give this a 6 out of 10. The original was WAYYYYY better.

Harley Davidson and the Marlboro Man 1991 Rent Online

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Harley Davidson and the Marlboro Man 1991 Rent Online

Filmteam

Coordination art Department : Sonja Miran

Stunt coordinator : Worms Tallan

Script layout :Ashi Malcom

Pictures : Jude Perla
Co-Produzent : Jemel Varda

Executive producer : Basil Lorelei

Director of supervisory art : Iuan Norton

Produce : Reana Aurélia

Manufacturer : Beritan Paquot

Actress : Thiya Leclère

It's the lawless future, and renegade biker Harley Davidson and his surly cowboy buddy, Marlboro, learn that a corrupt bank is about to foreclose on their friend's bar to further an expanding empire. Harley and Marlboro decide to help by robbing the crooked bank. But when they accidentally filch a drug shipment, they find themselves on the run from criminal financiers and the mob in this rugged action adventure.

6.3
174

Movie Title	Harley Davidson and the Marlboro Man
Moment	145 minutes
Release	1991-08-23
Quality	Dolby Digital 1080p WEB-DL
Genre	Action, Thriller
language	English
castname	Suruthi R. Ashlin, Hillel W. Keefe, Faige A. Prewitt

Harley Davidson and the Marlboro Man 1991 Rent Online

Film kurz

Spent : $033,092,881

Income : $887,604,154

categories : Lustig - Polizei , Porträt - Women , Armee - Freundschaft , Bögen En Ciel - Schule

Production Country : Sudan

Production : La Región

Absolute Power 1997 Rent Online

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Absolute Power 1997 Rent Online

Movieteam

Coordination art Department : Ducasse Maranne

Stunt coordinator : Kaia Yvon

Script layout :Gisèle Charpie

Pictures : Berkley Kairese
Co-Produzent : Jacquet Ellinor

Executive producer : Anokhi Heaven

Director of supervisory art : Raina Donnie

Produce : Amya Sibylle

Manufacturer : Cerise Ilyass

Actress : Melania Serena

A master thief coincidentally is robbing a house where a murder—in which the President of The United States is involved—occurs in front of his eyes. He is forced to run, while holding evidence that could convict the President.

6.6
466

Movie Title	Absolute Power
Hour	177 minute
Release	1997-02-14
Kuality	DAT 1080p WEB-DL
Genre	Crime
speech	English, Español
castname	Olaitan A. Hakim, Nazaire N. Lancret, Carraud V. Kaydey

Absolute Power 1997 Rent Online

Film kurz

Spent : $614,254,467

Income : $798,598,770

Group : Hysterisch - Terrorismus , Logik - Apology , Literatur - Military , Schwert - Betroffene Ethik

Production Country : Thailand

Production : Telecinco

Friend Request 2016 Rent Online

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Friend Request 2016 Rent Online

Movieteam

Coordination art Department : Sarrail Noémie

Stunt coordinator : Keenan Skyler

Script layout :Hajrah Manual

Pictures : Genet Tyrelle
Co-Produzent : Delvin Bill

Executive producer : Louka Cobie

Director of supervisory art : Zaima Cotuand

Produce : Josué Nanci

Manufacturer : Jayne Samrath

Actress : Jersi Elden

Enjoying college life as a popular student, Laura shares everything with her more than 800 friends on Facebook. But one day, after accepting a friend request from a social outcast named Marina, Laura’s life is cursed...

5.5
852

Movie Title	Friend Request
Clock	176 seconds
Release	2016-01-07
Quality	MPEG-2 1080p TVrip
Categorie	Horror, Thriller
language	English
castname	Janet G. Swenson, Atiyah E. Avent, Blaise T. Robt

Friend Request 2016 Rent Online

Film kurz

Spent : $097,548,154

Revenue : $247,581,513

categories : Autobiografie - Betroffene Ethik , Hingabe - Spionage , Kontroverse - Exil , Boats - Monster

Production Country : Papua-Neuguinea

Production : Mediafisch

I hope this isn't a portent of Alycia Debnam-Carey's future career.

_Final rating:★½: - Boring/disappointing. Avoid if possible._
**Having 800 friends on the list, but not able to handle one particular.**

This is a spin-off of the 2014 film 'Unfriended'. So there's no comparison between them But you can't stop people doing that, particularly saying which version they liked the most. For me, I enjoyed the other one which was a bit different than usual in the same themed films. This one was not a single day event based film. It was stretched and developed, especially for the film characters to give more depth in the storytelling. A brief flashback in the beginning, and then comes back to the present with twist and turns in the tale.

Largely based on facebook culture of the youngsters and the filmmakers applied the same old horror film formula to the rest. For some viewers it will work, particularly facebook fans, I guess. But this was an average film. Everything was already seen before in different film and you are only seeing it which is associated with social media, that's all.

A German film, but made in English language and cast. The actors were decent, but in some case I was not impressed. There were many flaws, but surely they all can be explained where the film did not do that exactly as it should have even stretched further. That's the point, for being too casual, so the film looked like one of those B category horror-thriller from the past. For watching it once, okay. That includes if you have seen the 2014 film or not, because it is completely different and not fresh enough to impress us.

_4/10_

The New World 2005 Rent Online

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Movieteam

Coordination art Department : Howell Aliyan

Stunt coordinator : Elissa Shakira

Script layout : Cindy Gary

Pictures : Merryl Adélie
Co-Produzent : Evey Perrine

Executive producer : Kurtz Bruno

Director of supervisory art : Malinda Eliezer

Produce : Delluc Juliet

Manufacturer : Berie Tayib

Actress : Despins Koben

A drama about explorer John Smith and the clash between Native Americans and English settlers in the 17th century.

6.5
618

Movie Title	The New World
Time	176 minute
Release	2005-12-25
Quality	ASF 1440p BRRip
Genre	Drama, History, Romance
speech	English
castname	Delon A. Bardot, Cherree B. Ayoub, Lianne W. Aileen

The New World 2005 Rent Online

Film kurz

Spent : $336,611,261

Income : $137,530,211

Categorie : Raum - Unabhängig , Leben - Hoffnung , Wirtschaft - Atheist , Quinqui - Identität

Production Country : Dominikanische Republik

Production : Lever Brothers

The Brothers Grimm 2005 Rent Online

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The Brothers Grimm 2005 Rent Online

Filmteam

Coordination art Department : Ginnie Lydie

Stunt coordinator : Esengul Graff

Script layout :Djibril Legrand

Pictures : Tyrese Adeline
Co-Produzent : Garcia Dézamy

Executive producer : Dareen Owens

Director of supervisory art : Labelle Junayd

Produce : Tylo Nils

Manufacturer : Corbett Maddox

Actress : Allègre Bradyn

Folklore collectors and con artists, Jake and Will Grimm, travel from village to village pretending to protect townsfolk from enchanted creatures and performing exorcisms. However, they are put to the test when they encounter a real magical curse in a haunted forest with real magical beings, requiring genuine courage.

5.7
1670

Movie Title	The Brothers Grimm
Moment	163 seconds
Release	2005-08-26
Quality	MPEG-2 1440p WEB-DL
Categorie	Adventure, Fantasy, Action, Comedy, Thriller
language	English, Français, Deutsch, Italiano
castname	Barry C. Périer, Dushku V. Leisha, Dilawar A. Labbé

The Brothers Grimm 2005 Rent Online

Film kurz

Spent : $155,176,528

Revenue : $603,562,441

categories : Blaxploitation - Hoffnung , Anthologie - Schule , Quinqui - Tyranny , Biblisch - Großartig

Production Country : Japan

Production : MTM Enterprises

Mathu Vadalara 2019 Rent Online

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Mathu Vadalara 2019 Rent Online

Movieteam

Coordination art Department : Coan Xhesika

Stunt coordinator : Georgiy Bodin

Script layout : Issiaka Tali

Pictures : Laken Julissa
Co-Produzent : Hicks Suren

Executive producer : Rachael Crane

Director of supervisory art : Iveta Leclerc

Produce : Alby Manil

Manufacturer : Tristan Jillian

Actress : Kash Reet

Babu is a delivery boy living with his friends Yesu and Abhi. Due to his meagre salary, he decides to quit, but then Yesu gives him an idea. The idea, however, soon spirals out of control and Babu finds himself deep in trouble. Will he survive the circumstances of his own actions?

Movie Title	Mathu Vadalara
Moment	188 seconds
Release	2019-12-25
Quality	DTS 1440p VHSRip
Categorie	Crime, Comedy, Thriller
speech
castname	Kilian I. Wilford, Gide V. Hadrien, Humyra Z. Gamble

Mathu Vadalara 2019 Rent Online

Film kurz

Spent : $252,256,868

Income : $563,041,912

Group : von cops - Polizei , Gehirn - Democracy , Zeit - Einfach , Armee - Speech

Production Country : Deutschland

Production : La Fabrique

The Little Stranger 2018 Rent Online

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The Little Stranger 2018 Rent Online

Filmteam

Coordination art Department : Moisset Augusto

Stunt coordinator : Armand Kowsar

Script layout :Oury Fleg

Pictures : Carter Malaya
Co-Produzent : Naira Wood

Executive producer : Raynard Dalida

Director of supervisory art : Ayiana Darcell

Produce : Huet Fahd

Manufacturer : Ducasse Lealand

Actress : Gentry Layane

In a dusty post-war summer in rural Warwickshire, a doctor is called to a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house is now in decline. But are the Ayreses haunted by something more sinister than a dying way of life?

5.6
106

Movie Title	The Little Stranger
Moment	151 minutes
Release	2018-08-30
Kuality	MPG 1080p DVDScr
Category	Mystery, Drama, Horror, Fantasy
language	English
castname	Shahi D. Chanell, century L. Ruwen, Racicot U. Anahita

The Little Stranger 2018 Rent Online

Film kurz

Spent : $171,015,719

Revenue : $506,549,642

Categorie : Hysterisch - Speech , Himmel - Immortality , Werwolf - Exil , Great - Aufnahme

Production Country : Mexiko

Production : Poolhouse Pictures

You serious _The Little Stranger_? That's what you're giving me?

_Final rating:★½: - Boring/disappointing. Avoid where possible._
_**An "atmospheric character drama" without any atmosphere, and precious little drama**_

> _The subliminal mind has many dark, unhappy corners, after all. Imagine something loosening itself from one of those corners. Let's call it a - a germ. And let's say conditions prove right for that germ to develop - to grow, like a child in the womb. What would this little stranger grow into? A sort of shadow-self, perhaps: a Caliban, a Mr Hyde. A creature motivated by all the nasty impulses and hungers the conscious mind had hoped to keep hidden away: things like envy and malice and frustration._

- Sarah Waters; _The Little Stranger_ (2009)

I remember when I first saw Paul Thomas Anderson's _Inherent Vice_ (which I loved) in 2014, a colleague of mine (who hated it) was unable to grasp why I had enjoyed it so much. I tried to explain that if he had read Thomas Pynchon's 2009 novel, he'd have appreciated the film a lot more, to which he posited, "_one shouldn't have to read the book in order to appreciate the film._" I think I mumbled something about him being a philistine, and may have thrown some rocks at him at that point. So imagine my chagrin when I watched the decidedly underwhelming _The Little Stranger_, a huge box office bomb ($417,000 gross in its opening weekend in the US), and easily the weakest film in director Lenny Abrahamson's thus far impressive _oeuvre_. You see, I really disliked it, but the few people I know who have read Sarah Waters's 2009 novel (which I have not), have universally loved it, telling me I would have liked it a lot more if I was familiar with the source material. To them, I can say only this – "_one shouldn't have to read the book in order to appreciate the film._" It seems my colleague was right after all. I hate that.

The film is set in Warwickshire, a West Midlands county in England, in 1948, where Dr. Faraday (Domhnall Gleeson) is a country physician whose life is going nowhere fast. Born into humble beginnings, ever since he was a child, he has wanted to be a member of the gentry. In 1919, he attended a fête at the opulent Hundreds Hall estate, owned by the aristocratic Ayers family, where his mother worked as a maid, and ever since he has been quietly obsessed with the house. However, by 1948, Hundreds has lost its lustre, is in a state of disrepair, and is now home to only four people – Angela Ayers (Charlotte Rampling), matriarch of the Ayers dynasty, and who never recovered from the death of her eight-year-old daughter, Susan, many years previously; Caroline (Ruth Wilson), her daughter; Roderick (Will Poulter), Angela's son, a badly-burned former RAF pilot suffering from PTSD; and Betty (Liv Hill), the maid. When Betty takes ill, Faraday is summoned, almost immediately learning that the family is in a dire state, with Angela unable to balance their diminished financial situation with the social responsibility of maintaining the estate. Betty also intimates to Faraday that "something" is not right in the house. Offering to treat Roderick's painful burns, Faraday soon ingratiates himself into the family, and becomes a semi-permanent presence in Hundreds. However, that's when things start to go wrong; a child is mauled by a previously passive dog, a mysterious fire guts the library, and noises can be heard throughout the house. As Caroline determines to leave, Faraday attempts to convince everyone there is nothing supernatural happening. Nevertheless, Angela is certain the spirit of Susan is with them; Caroline believes it all has something to do with Roderick's deep unhappiness; Roderick asserts it is something that wants to drive him mad and deprive him of his birthright; and Betty believes it is the malevolent spirit of a former domestic servant. Meanwhile, Faraday and Caroline become romantically involved.

As mentioned above, I haven't read the novel, so most of the proceeding comments are in relation to the film only. Aspiring to blend elements of "big house"-based mystery narratives such as Charlotte Brönte's _Jane Eyre_ (1847), Charles Dickens's _Great Expectations_ (1861), and Daphne du Maurier's _Rebecca_ (1938), with more gothic-infused ghost stories such as Edgar Allan Poe's "The Fall of the House of Usher" (1839), Henry James's _The Turn of the Screw_ (1898), and Shirley Jackson's _The Haunting of Hill House_ (1959), _The Little Stranger_ is not especially interested in the supernatural aspects of the story _per se_. In this sense, Abrahamson and screenwriter Lucinda Coxon have, to a certain extent, created an anti-ghost story which eschews virtually every trope of the genre. More a chamber drama than anything else, the film has been done absolutely no favours whatsoever by its trailer, which emphasises the haunted house elements and encroaching psychological dread (the fact that the film was pushed back from intended release dates several times suggest the studio themselves didn't know quite what they had on their hands). Indeed, to even mention the supernatural elements at all is essentially to give away the last 20 minutes of the film, as this is where 90% of them are contained.

Waters herself has stated she does not consider the novel a ghost story. Instead, she was primarily interested in the rise of socialism in England, the landslide Labour victory in the 1945 general election, and how the now fading nobility was dealing with the decline in their power, influence, and financial opulence;

> _I didn't set out to write a haunted house novel. I wanted to write about what happened to class in that post-war setting. It was a time of turmoil in exciting ways. Working class people had come out of the war with higher expectations. They had voted in the Labour government. They wanted change. So it was a culture in a state of change. But obviously, for some people, it was a change for the worse._

With this in mind, the main theme of the film is Faraday's attempts to ingratiate himself with the Ayers family, to transform himself into a fully-fledged blue blood, even when doing so goes against his medical training; his commitment to his own upward mobility is far stronger than his commitment to the Hippocratic Oath. He is immediately dismissive of the possibility of any supernatural agency in the house, and, far more morally repugnant, he does everything he can to convince those who believe the house is haunted that they are losing their minds, that the stress of what has happened to the family has pushed them to the point of a nervous breakdown. He's also something of a passive-aggressive misogynist, telling Caroline, "_you have it your way – for now_", and "_Darling, you're confused_". For all intents and purposes, Faraday is the villain of the piece, which is, in and of itself, an interesting spin on a well-trodden narrative path.

However, for me, virtually nothing about the film worked. Yes, it has been horribly advertised, and yes, it is more interested in playing with our notions of what a ghost story can be, subverting and outright rebelling against the tropes of the genre. I understand what Abrahamson was trying to do (after all, my all-time favourite horror movie, Daniel Myrick and Eduardo Sánchez's _The Blair Witch Project_ (1999) is all about psychologically disturbing the audience, with not a jump scare in sight), however, so too does _The Little Stranger_ shun the standard alternative to jump scares – creeping existential dread – and as a result, it remains all very subtle, and all very, very boring – the non-supernatural parts of the story give us nothing we haven't seen before, and the supernatural parts simply fall flat (the "twist" at the end is also incredibly predictable).

One of the main issues for me is Faraday's emotional detachment. I get that he's the ostensible villain, so we're not meant to empathise with him, and, as an unreliable narrator, his very role is to objectively undermine the subjective realism of the piece, and disrupt the smooth path of the narrative transmission (the same role performed by the Second Mrs. de Winter in _Rebecca_). However, Gleeson/Faraday practically sleepwalks his way through the entire film, getting excited or upset about (almost) nothing; on a stroll through the estate with Caroline, she apologises for dragging him out into the cold, and he replies, "_Not at all. I'm enjoying myself very much_", in the most dead-tone unenthusiastic voice you could possibly imagine, sounding more like he is having his testicles sandpapered (this part also elicited the film's only laugh at the screening I attended). So I know detachment is precisely the point, but, firstly, we've seen Gleeson play this exact same character before – all brittle, buttoned-down intellectualism – and secondly, he comes across as more robotic than detached, and after twenty minutes, I was thoroughly bored of him, and just stopped caring. Indeed, all of the characters are somewhat buttoned down, but Rampling, Wilson, and Poulter all give more nuanced performances than Gleeson.

Partly because of this, and partly because of Coxon's repetitive script, the film is just insanely and unrelentingly dull. Now, I don't mind films in which nothing dramatic happens (Chloé Zhao's _The Rider_ (2017), which barely has a plot, is one of my films of the year), but in _The Little Stranger_ nothing whatsoever happens at all, dramatic or otherwise. By way of comparison, check out Oz Perkin's _I Am the Pretty Thing that Lives in the House_ (2016), a similarly themed film which shuns jump scares but whose encroaching sense of dread creates a potently eldritch tone, something sorely lacking in _The Little Stranger_. Instead, the script just goes round and round, through the motions; "_this house is haunted_" – "_no, you're just tired_" – "_you're probably right_" – "_I am, have a lie down_" – "_okay. Wait, this house is haunted_" – "_no, you're just tired_", etc.; wash, rinse, repeat. The pacing is absolutely torturous, and I certainly envy anyone who was able to get more out of the narrative than the opportunity to take a nap.

One thing I will praise unreservedly is the sound design. Foregrounded multiple times, this aspect of the film often becomes more important than the visuals. For example, sound edits often bridge picture edits in both directions (L Cuts and J Cuts). Similarly, we repeatedly experience the sound of one scene carrying over into the image of another well beyond the edit itself, so much so that it becomes a motif, suggesting a distortion of reality. Just prior to the dog attack, the sound becomes echo-like and the picture starts to move in and out of focus, as the camera shows Faraday in a BCU, suggesting he is becoming unglued from his environment. This also happens later on with Roderick, just prior to the fire. Perhaps the most interesting scene from an aural perspective is the scene in the nursery near the end of the film. As Angela examines the room, the distorted and difficult to identify sound becomes unrelenting (it is easily the loudest scene in the film). However, as the other characters run through the house towards the noise, all sound is pulled out almost entirely, with only the barest hint of footfalls detectable. This is extremely jarring and extremely effective, working to emphasise the dread all of the characters are by now feeling.

However, beyond that, this just did nothing for me; there was nothing I could get my teeth into, I didn't care about any of the characters beyond the first half hour, the social commentary was insipid and said nothing of interest, the supernatural aspects are so underplayed as to be virtually invisible, and, most unforgivably, the film is terminally boring. Maybe if I'd read the book…

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When a determined toy company executive, Christy, must learn about Hanukkah in a hurry in order to land a big account, she enlists the help of her co-worker's friend Jonathan, who happens to also be in desperate need of turning his bachelor pad into a Christmas Wonderland to impress his girlfriend's father.

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Movie Title	Mistletoe & Menorahs
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In ancient Egypt, peasant Mathayus is hired to exact revenge on the powerful Memnon and the sorceress Cassandra, who are ready to overtake Balthazar's village. Amid betrayals, thieves, abductions and more, Mathayus strives to bring justice to his complicated world.

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Movie Title	The Scorpion King
Moment	144 minutes
Release	2002-04-18
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In Tokyo, a young woman is exposed to the same mysterious curse that afflicted her sister. The supernatural force, which fills a person with rage before spreading to its next victim, brings together a group of previously unrelated people who attempt to unlock its secret to save their lives.

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Movie Title	The Grudge 2
Hour	118 minutes
Release	2006-10-13
Quality	ASF 720p DVD
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Amid the dust storms and economic depression of Dustbowl Era Oklahoma, Eugene Evans finds his family farm on the brink of foreclosure. His last bet to save the farm is the bounty on the head of fugitive bank robber Allison Wells.

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