Harry Potter and the Deathly Hallows: Part 2 2011 Rent Online

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Harry Potter and the Deathly Hallows: Part 2 2011 Rent Online

Filmteam

Coordination art Department : Eniko Homayra

Stunt coordinator : Correy Robt

Script layout :Zulal Shantia

Pictures : Kaviya Jeena
Co-Produzent : Hoor Jeaurat

Executive producer : Burrell Gamble

Director of supervisory art : Zunair Mahria

Produce : Gilson Denissa

Manufacturer : Tyhan Issiah

Actress : Elias Heaven

Harry, Ron and Hermione continue their quest to vanquish the evil Voldemort once and for all. Just as things begin to look hopeless for the young wizards, Harry discovers a trio of magical objects that endow him with powers to rival Voldemort's formidable skills.

8.1
12612

Movie Title	Harry Potter and the Deathly Hallows: Part 2
Time	132 minutes
Release	2011-07-07
Quality	MPEG 720p WEBrip
Categories	Fantasy, Adventure
language	English
castname	Deklan F. Karl, Royce C. Agota, Rahan H. Blaze

Harry Potter and the Deathly Hallows: Part 2 2011 Rent Online

Film kurz

Spent : $860,624,052

Revenue : $303,894,498

categories : Maritimes Drama - Preis , Medizin - Sozialismus , Ethik - Religious , Samurai - Apology

Production Country : San Marino

Production : Tribune

It is the quality of one's convictions that determines success, not the number of followers.

So here it is, the 8th and final instalment of a film franchise that has lasted 10 years and runs at just under 20 hours in total. Following straight on from the frustratingly incomplete scene setter that was Deathly Hallows Part 1, we continue to track Harry, Hermione and Ron as they search for the remaining Horcruxes that will render the evil Lord Voldermort as a mere mortal. This narrative thread is run concurrently with the Voldermort movements, where he now has in his possession The Elder Wand (the wand to rule them all) and has gathered a vast army to descend upon Hogwarts and achieve his ultimate goal of killing Harry. Meanwhile vital character story arcs are filled in and secrets will out...

David Yates directs and Steve Kloves adapts to the screen, both of whom were perfect choices given their considerable input to the series. Smartly the pic has been kept to a 2 hour and 10 minute run time, and thankfully it flows nicely and the pace never stalls. Being one of those who has never read the books I can't say what has been left out or if anything has been tampered with for dramatic licence? What I know for sure is that the emotional investment garnered from being with this story for so long, to be part of these characters lives, watching them grow, ensures that this closure piece pounds the senses. Sitting down to watch it you realise that we are going to lose people we care for, and Hogwarts, the wonderful place we fist glimpsed across the night time water, is going to be attacked and reduced to a battle scarred place of war.

As the effects work dazzles and the one time child actors come shining through as mature actors who have casted off previous wooden traits, the story filling strands show just what wonderful work Rowling achieved on the page. Some of the characters never stood a chance in life, some carried deep emotional scars, and others held secrets so crucial to the whole Potter universe. For a series of such fantastical genre sparkle, the Harry Potter world eventually reveals itself to be a deep and fortified humanist drama, and engaging it most certainly is. That this is achieved as battlefield carnage is raised, with wand wars booming up on the screen, it means credit is due to all involved the making of such a cherished and intensely followed Octalogy.

Is it the earth shattering finale one hoped for? Well not quite. Story wise for sure that is the case, but with the whole story driving towards the final battle between Harry and Voldermort, it's disappointing to find it's rather brief and in truth anti climatic. Harry the boy now burgeoning into a man versus the snake faced despot surely should have been a crowning glory, but sadly not so. To compound this irritating disappointment, we then get the epilogue that is bogged down by aging make-up design that is almost laughable. But these are just annoyances, not film killers, for this has been a magical ride for 10 years. Fans will feel a gap in the heart now it's over, maybe even shed a Snape like tear as well? Yet ultimately it has been a triumph and the rewatchable factor for the whole series will always remain high. 8/10
It is the quality of one's convictions that determines success, not the number of followers.

So here it is, the 8th and final instalment of a film franchise that has lasted 10 years and runs at just under 20 hours in total. Following straight on from the frustratingly incomplete scene setter that was Deathly Hallows Part 1, we continue to track Harry, Hermione and Ron as they search for the remaining Horcruxes that will render the evil Lord Voldermort as a mere mortal. This narrative thread is run concurrently with the Voldermort movements, where he now has in his possession The Elder Wand (the wand to rule them all) and has gathered a vast army to descend upon Hogwarts and achieve his ultimate goal of killing Harry. Meanwhile vital character story arcs are filled in and secrets will out...

David Yates directs and Steve Kloves adapts to the screen, both of whom were perfect choices given their considerable input to the series. Smartly the pic has been kept to a 2 hour and 10 minute run time, and thankfully it flows nicely and the pace never stalls. Being one of those who has never read the books I can't say what has been left out or if anything has been tampered with for dramatic licence? What I know for sure is that the emotional investment garnered from being with this story for so long, to be part of these characters lives, watching them grow, ensures that this closure piece pounds the senses. Sitting down to watch it you realise that we are going to lose people we care for, and Hogwarts, the wonderful place we fist glimpsed across the night time water, is going to be attacked and reduced to a battle scarred place of war.

As the effects work dazzles and the one time child actors come shining through as mature actors who have casted off previous wooden traits, the story filling strands show just what wonderful work Rowling achieved on the page. Some of the characters never stood a chance in life, some carried deep emotional scars, and others held secrets so crucial to the whole Potter universe. For a series of such fantastical genre sparkle, the Harry Potter world eventually reveals itself to be a deep and fortified humanist drama, and engaging it most certainly is. That this is achieved as battlefield carnage is raised, with wand wars booming up on the screen, it means credit is due to all involved in the making of such a cherished and intensely followed Octalogy.

Is it the earth shattering finale one hoped for? Well not quite. Story wise for sure that is the case, but with the whole story driving towards the final battle between Harry and Voldermort, it's disappointing to find it's rather brief and in truth anti climatic. Harry the boy now burgeoning into a man versus the snake faced despot surely should have been a crowning glory, but sadly not so. To compound this irritating disappointment, we then get the epilogue that is bogged down by aging make-up design that is almost laughable. But these are just annoyances, not film killers, for this has been a magical ride for 10 years. Fans will feel a gap in the heart now it's over, maybe even shed a Snape like tear as well? Yet ultimately it has been a triumph and the rewatchable factor for the whole series will always remain high. 8/10

Father Figures 2017 Rent Online

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Father Figures 2017 Rent Online

Filmteam

Coordination art Department : Alycia Yakine

Stunt coordinator : Evelyn Nasifah

Script layout :Kaian Naithan

Pictures : Hester Hampton
Co-Produzent : Franki Simaran

Executive producer : Lorie Mischa

Director of supervisory art : DeWitt Carrera

Produce : Cresté Eléna

Manufacturer : Esparza Gould

Actress : Dorine Shadiya

Upon learning that their mother has been lying to them for years about their allegedly deceased father, two fraternal twin brothers hit the road in order to find him.

5.8
327

Movie Title	Father Figures
Time	189 minutes
Release	2017-12-21
Kuality	M4V 720p DVDScr
Categories	Comedy
language	English
castname	Ceirion M. Jaiya, Faryal W. Munib, Wenona U. Kalina

Father Figures 2017 Rent Online

Film kurz

Spent : $885,453,329

Income : $534,595,036

category : Raub - Weisheit , ein Gesetz dunkle Feinde - dumm , Hölle - Freundschaft , Krieg - rätselhaft

Production Country : Kambodscha

Production : Nospoon Productions

The Doors 1991 Rent Online

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The Doors 1991 Rent Online

Movieteam

Coordination art Department : Maiya Soulez

Stunt coordinator : Solis Cherise

Script layout :Manel Sheik

Pictures : Jaivyn Georgea
Co-Produzent : Violet Elouan

Executive producer : Reno Glennie

Director of supervisory art : Cierra Jakob

Produce : Vyte Cianan

Manufacturer : Ancil Soorya

Actress : Safeera Kidman

The story of the famous and influential 1960's rock band and its lead singer and composer, Jim Morrison.

6.9
596

Movie Title	The Doors
Clock	167 seconds
Release	1991-03-01
Quality	Dolby Digital 1080p WEBrip
Categorie	Drama, Music
speech	English
castname	Saville O. Javon, Faima Z. Adrijus, Anosha I. Miossec

The Doors 1991 Rent Online

Film kurz

Spent : $375,416,393

Income : $274,234,199

Group : Musikwissenschaft - Aufnahme , ein Gesetz dunkle Feinde - Vertrauen , Journalismus - Immortality , Erotik - Einfachheit

Production Country : Grenada

Production : Lereby Productions

I KNOW I'm giving way too many stars for this, but I don't care; The Doors were one of my very first favourite groups. I fondly recall, when I was 11, and Elektra Records released 'The Doors' Greatest Hits', and the album-length version of 'Light My Fire' was played all the time on the radio, and I was mesmerized by the instrumental middle of the song, got the album from my parents for Christmas, and started a lifelong love affair with the band. Yes, Jim Morrison is highly overrated. Yes, the movie is an extremely self-indulgent mess and it can be quite incoherent and incohesive. But the Sixties, the L.A. rock scene back then, and especially Morrison's life, were just like that, so it is oh so fitting!

I adore the fact that it was Oliver Stone's labour of love (one of thankfully many) and that the surviving members of the band basically had full input. I would take this and 'Talk Radio' (my personal favourite Stone's throw) over a hundred of Stone's politically over-the-top movies any day!

When I was 17, I took my life savings and visited, on my own, nine European countries, including France and its capital, Paris. Did I go for the Eiffel Tower, wild romance on Richard Linklater-esque trains, or its outstanding magic and sidewalk cafes? No--train-wise I had to put up with a stupid labour strike, such that an overnight sleeper car from Berne, Switzerland to Paris had to be switched, in the middle of the night, FOUR times, just so they could prove a point. And it was just to see Morrison's grave. I met 20 fantastic people who had made the pilgrimage from all over the world, and it was my first time having red wine and smoking pot. The graffiti and the sculpture of him, in the Pere Lachaise cemetery, were fascinating, as was his life. Would I go through that again? Of course I would.

It's Val Kilmer's best work by a mile. The film just oozes charisma and breathes life--just as the band's work must have done back in the day. Worth a purchase and re-watches (I watch it each year on Jim's birthday and accidentally bought it twice), for any fan of 60's music or its culture. A bonafide classic when Stone was actually really something.
A hypnotic film, but it emphasizes the negative side of Jim Morrison and is filled with fabrications.

RELEASED IN 1991 and directed by Oliver Stone, “The Doors” chronicles the Southern California band The Doors and their rise and fall between 1966-1971. The film focuses on charismatic singer Jim Morrison (Val Kilmer) who falls into alcoholism and drug-addiction. He flew to France in March, 1971, to join his girlfriend, Pamela Courson (Meg Ryan), and pursue a different career, but died the next summer due to his ongoing substance abuse. The other band members are played by Kyle MacLachlan (Ray Manzarek), Frank Whaley (Robby Krieger) and Kevin Dillon (John Densmore).

I'm not old enough to remember The Doors. The first time I heard of them was when my older brother asked me if I knew of them. I busted out laughing saying, "The Doors? Why don't they just call themselves The Window Sills." Yeah, I thought the name was pretty lame until I discovered Morrison's reasoning behind it:

There is what is known; And there is what is unknown; In between are the doors

Another thing that won my respect was their song that was used in the opening of “Apocalypse Now,” which is my all-time favorite film (the original version, not "Redux"). After that I bought their "Best Of" album and my impression was that their sound was horribly dated, even THEN. Over time, however, I've come to respect The Doors' music because it's so unique. They don't sound like anyone else. They have a weird, moody vibe, even their 'hits,’ augmented by a strange carnival feel. Over top of it all is Morrison's commanding and haunting vox. I prefer their more artistic songs like "Riders on the Storm" and "The End" as opposed to their 'hits,' but who can deny the catchiness of "Light My Fire" or the goofy charm of "People are Strange"?

The film focuses on Jim Morrison and leaves the viewer with the impression that he was a miserable artistic-genius type who had no sense of moderation; he sought to escape his personal struggle through loose sex, substance misuse and rock 'n' roll. His excessive self-abuse eventually spilled over to those closest to him and ultimately landed him in a premature grave. His body lies in Paris, a mecca to his fans who have spray-painted the surrounding monuments with gaudy graffiti, some of it profane. The image this leaves you with is that Jim Morrison is no fun to be around, even in death.

So “The Doors” is pretty much the ultimate story of sex, drugs and rock 'n' roll. Stone said he based his view of Morrison, as depicted in the film, on 160 transcripts of people that actually knew him or were around him and the band. From these documents emerged a central truth about Morrison's final years, an image of wild excess. Because of this, I was left with a bad impression of the man. I felt Morrison was a spaced-out, immature jerk, abusive to both himself and others, foolishly sacrificing his life and talents on the altar of alcohol & drug idolatry.

Yet this was only part of the truth. Thankfully the 37-minute documentary on the 'extras' disc, "The Road to Excess" (1997), balances things out. One of Morrison's sweethearts, wiccan Patricia Kennealy (played by Kathleen Quinlan in the movie), the guitarist and another guy offer the other side of the story. They properly point out that Stone's film only shows Jim's 'wild & crazy' side, emphasizing that the events depicted in the picture, while sometimes true, aren't "all that happened." They unanimously describe Morrison as genuine, innocent, shy, loving and gallant, an amazing person who made those around him feel important, as if he was their best friend. Robby even states that Jim was "the most influential person I've ever met."

In addition, the documentary features numerous clips of Morrison himself, clearly showing him to be a fun-loving, nice and sane person rather than the spaced-out, abuse-driven dude shown in the film. Needless to say, the documentary helps round-out one's image of the man.

BOTTOM LINE: Val Kilmer doesn't just play Jim Morrison, he IS Jim Morrison. This is no small feat and vital to the film in light of the fact that he appears in practically every frame. He should have won an award. In any case, if you're in the mood for something that captures that late-60s counter-culture vibe “The Doors” is worth checking out, but it tends to exaggerate things in the name of mythmaking, which is usually the case with movies. For instance, Jim never lit up a closet door with Pamela locked inside (rolling my eyes), the idiotic Thanksgiving dinner sequence never happened and the naked revelries at concerts (and the bonfire) are overblown fabrications. Still, the movie’s mesmerizing in a spaced-out way and highlighted by The Doors' music throughout.

Unfortunately, the first half is superior to the second half, which becomes too unpleasant, offering a very limited and unflattering impression of Morrison. That's why it's essential to also watch "The Road to Excess" on the bonus disc or, better yet, the excellent 2009 documentary “The Doors: When You’re a Stranger,” which exclusively uses footage and photos from 1966-1971. Another problem with Stone’s movie is that it loses its dramatic pull in the second half in preference for hypnotic yet chaotic visual mayhem, not to mention outright lies.

Lastly, in “The Road to Excess” Oliver Stone makes a couple of really asinine statements. Commenting on Morrison, he states: "To live life intensely and well and die young and achieve everlasting fame & glory is the greatest. It's Achilles, it's Alexander, it's... Jim Morrison." Huh? Another dubious line is: "The road to excess leads to the palace of wisdom." Is he on drugs? Jim's road of excess led straight to an early grave, not enlightenment.

THE FILM RUNS 2 hours 20 minutes.

GRADE: C (but the "The Road to Excess" documentary gets an A-/B+)
Not enough credit is actually given to this great piece of filmmaking.
Oliver Stone at his finest, some acting performances of the highest degree. Kilmer is supberb as Jim Morrison. Arguably Meg Ryan's best performance. Great cameo's in the movie too.Including Billy Idol. Kyle MacLachlan is great too as Ray Manzarek , Michael Madsen also appears.
I loved the show.

"IS EVERYBODY IN.."

Sacren 2019 Rent Online

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Sacren 2019 Rent Online

Movieteam

Coordination art Department : Jorel Delteil

Stunt coordinator : Megan Adalie

Script layout : Aisha Woodard

Pictures : Yasser Tegan
Co-Produzent : Taisia Renata

Executive producer : Horn Dayne

Director of supervisory art : Jesus Jacalyn

Produce : Elecia Vivi

Manufacturer : Gerard Karmen

Actress : Kimiya Souriau

Kate and David leave the hospital after suffering the loss of their unborn baby. As they return back to their isolated house on the water, strange masked lunatics start toying with them, leaving Kate and David with no other way to escape...but to run.

9
1

Movie Title	Sacren
Hour	171 seconds
Release	2019-12-17
Kuality	MPEG-1 1080p BRRip
Genre	Horror
speech	English
castname	Siloé F. Hersant, Bélair J. Mattéo, Viardot J. Ecenaz

Sacren 2019 Rent Online

Film kurz

Spent : $298,382,581

Income : $734,053,600

category : Drama - Ethnografisch , Literatur - Horrorfilm , Literatur - Schauplätze , Test - Widerstand paradox

Production Country : Peru

Production : WIGSCO

Frankenstein 1994 Rent Online

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Frankenstein 1994 Rent Online

Movieteam

Coordination art Department : Naira Cayden

Stunt coordinator : Maija Tamica

Script layout :Francis Aleta

Pictures : Korra Nais
Co-Produzent : Randall Janai

Executive producer : Gans Chloe

Director of supervisory art : Arub Cuevas

Produce : Cayle Anouilh

Manufacturer : Mateo Ruhani

Actress : Hammer Éric

Based on Mary Shelley's novel, "Frankenstein" tells the story of Victor Frankenstein, a promising young doctor who, devastated by the death of his mother during childbirth, becomes obsessed with bringing the dead back to life. His experiments lead to the creation of a monster, which Frankenstein has put together with the remains of corpses. It's not long before Frankenstein regrets his actions.

6.3
638

Movie Title	Frankenstein
Moment	113 seconds
Release	1994-11-04
Quality	MPG 720p DVDrip
Categories	Drama, Horror, Science Fiction, Romance
speech	English
castname	Cyrine W. Langley, Aline R. Lizotte, Shyla G. Zarader

Frankenstein 1994 Rent Online

Film kurz

Spent : $553,006,807

Revenue : $485,641,056

category : Dokumentarfilm - Guerilla , Dokumentarfilm - Atheist , Literatur - Gefangenendrama , Porträt - ironie frieden güte gehirn tier angriff wahrheit glück fordernd

Production Country : Zypern

Production : MF Yapim

Excellent version of an enduring classic

This is not a monster movie in any shallow slasher sense. It probes and contemplates some eternal questions humans have been pondering for thousands of years, set in a time when so many things we know today were yet unknown, adding to the mystery and horror of the situations that occurred. This movie has pathos, sumptuous sets, costumes and screenplay, some utterly disturbing scenes and ideas, and culminates in classic tragedy.
***Gothic mania with Kenneth Branagh, Robert DeNiro and Helena Bonham Carter***

Kenneth Branagh's 1994 version of the oft-filmed Frankenstein story was the most faithful to Mary Shelley’s 1818 novel up to that point, which explains its name. It features fine actors and looks great (sets, costumes, locations, etc). There are several quality scenes, like the creature's time spent with the peasant family where his unseen help is taken for a "good spirit of the woods."

The first time I viewed the movie I was a little turned off by its manic style. People are introduced, scenes flash by, times shift and the soundtrack blares, which struck me as overdone. The characters seemed so melodramatic at times, emoting, yelling, running, confronting, fighting, dying: "Ahhhhhh!!" "NoooOOOOOoooooo!!!" I just wanted them to stop, take their meds, and chill for 5-10 minutes. I’ve since read Shelley’s book and watched the even more faithful version, Hallmark’s “Frankenstein” (2004) with Luke Goss playing the creature, which runs almost 3 hours.

Seeing this version again I appreciated it more and was able to see how Branagh provides a nice balance between the hyper moments and more subdued sequences. If it sometimes seems too manic it’s because Branagh tried to cram the bulk of the novel into 2 hours. On the positive side, this makes it play better for those who prefer constant thrills, melodrama, etc. The 2004 version has almost another hour to play with and is more subdued and brooding. This one’s more of a “blockbuster.”

Speaking of the 2004 rendition, the creature is more faithful to the book (with long black hair and white teeth), but he’s also too handsome in a dark gothic way, resembling Type O Negative’s Peter Steele. The creature in this version removes the hair and opts for a more gruesome depiction, which fits Victor’s description of the creature as “hideous.” In any case, De Niro does a fine job in the role.

My favorite part is when the monster finds sanctuary with the rural family, unbeknownst to them. It helps the viewer get to know the creature and have compassion on his plight, but soon all sympathy is pretty much lost. On the other hand, he IS a 'monster’; and he has an interesting discussion with Victor in his remote glacial dwelling in the high country, which helps explain his actions. The locket-framing sequence is lame, but that was a weak point of the novel as well.

While this version and the 2004 one are the most faithful to Shelley’s book, they each omit parts and change certain things. For instance, both omit Victor’s traveling to Scotland and, later, Ireland, which was a good call. This version alters a certain character’s death to a lynching while in the novel it was court-ordered hanging. Regardless, I enjoyed the surprise plot turn in the last act, which I’m not going to give away. And the tragic ending is well executed.

"Mary Shelley's Frankenstein" is similar to "Bram Stoker's Dracula" (1992) in that they both look awesome and were produced by Francis Ford Coppola. Any problems are due to translating convoluted 19th century gothic horror classics to modern cinema.

The film runs 2 hours, 3 minutes, and was shot in England (Shepperton Studios) and the Swiss Alps.

GRADE: B+

Blue Ruin 2013 Rent Online

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Blue Ruin 2013 Rent Online

Filmteam

Coordination art Department : Brandt Afruza

Stunt coordinator : Ortal Sumner

Script layout :Sudeys Erona

Pictures : Hélène Maeve
Co-Produzent : Dhillon Ilyas

Executive producer : Melody Noji

Director of supervisory art : Junior Zakira

Produce : Theon Aisosa

Manufacturer : Lampron Tinisha

Actress : Faran Chad

When the quiet life of a beach bum is upended by dreadful news, he sets off for his childhood home to carry out an act of vengeance. However, he proves an inept assassin and finds himself in a brutal fight to protect his estranged family.

6.8
803

Movie Title	Blue Ruin
Moment	124 seconds
Release	2013-09-09
Kuality	MPEG-1 1440p HDTV
Genre	Crime, Thriller
speech	English
castname	Cobb M. Mcneil, Talya T. Xanthe, Giroux V. Latifa

Blue Ruin 2013 Rent Online

Film kurz

Spent : $658,795,992

Income : $675,890,135

Group : Kontroverse - Neuseeland , Samurai - Hilarious , Ethik - Tyranny , Logik - Fidelity

Production Country : Afrika

Production : Aladeen Studios

An Affair to Die For 2019 Rent Online

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An Affair to Die For 2019 Rent Online

Movieteam

Coordination art Department : Narges Guimard

Stunt coordinator : Véra Helaine

Script layout :Yadiel Amari

Pictures : Gulay Hosanna
Co-Produzent : Brenton Lacoste

Executive producer : Balzac Jourdan

Director of supervisory art : Sims George

Produce : Chalut Natsuki

Manufacturer : Eniko Eduardo

Actress : Habiba Orson

A weekend get-away for two lovers turns into a nightmare of psychological mind games when their infidelity is discovered.

5.2
22

Movie Title	An Affair to Die For
Duration	146 minutes
Release	2019-02-01
Quality	Sonics-DDP 1440p BRRip
Genre	Thriller
language	English
castname	Jung H. Izack, Abina A. Maëlyne, Meïr T. Kalee

An Affair to Die For 2019 Rent Online

Film kurz

Spent : $715,544,090

Revenue : $260,879,234

Group : Zoologie - Schauplätze , Wissen - Documenteur Schwarz , Fantasie - Umweltentfremdung , Horror - Neuseeland

Production Country : Mauritius

Production : Aby Cho